It was a difficult time for the global film industry. This pandemic has stopped the proportion of earthquakes. All production areas are officially closed. and all abilities Whether in front of a camera or behind a camera, quarantines, all film festivals canceled or moved online, cinemas are closing and the industry is faced with an uncertain economic future.

 

However, some filmmakers don’t take long to adapt. We have all heard about movies with stories about the coronavirus pandemic. The Crown is the first full-length film on this subject – an inexpensive single-camera film shot in one take in a broken elevator.

Another movie in production is likely to be very important. The songbird will occur two years in the future, when the plague continues and the restrictions persist. All the big studios will be waiting. Track this production. as he will be the first to implement new health and safety protocols at every stage of the manufacturing process.

In addition to these productions, We are seeing other green shoots emerging, plans to reboot discontinued films such as Avatar 2. The studio has begun preparing for new work. Pinewood Studios Atlanta is reportedly not only non-social, but has also invested $ 1 million (£ 810,000) in security measures to reduce the risk of infection for everyone who works there. This one is great for a big Hollywood movie set. But what about small studios and independent productions?

 

new normal

 

So how will the film industry adjust? The challenges facing the industry must not be overlooked. Studios and movie sets are crowded spaces with crazy activities. Teams and artists often work closely with each other and often maintain close contact. Think about a makeup department. Hair and dress and all equipment are monitored and transferred regularly between team members.

 

Although the report was published just days before the current UK quarantine and was written around the world before COVID-19, the Future of Cinema report offers some helpful ideas on how to address this issue. “Virtual Methods” Innovation

 

The report offers a vision for the future of cinema that will be “inclusive, sustainable and reward innovation and creativity,” but his argument that virtual reality techniques are needed to achieve these goals is wise.

 

The report’s findings provide a livelihood model that enables industry to respond to the emergency challenges posed by the pandemic. in this letter It looks like the production of films blocked by the pandemic will require virtual production methods. If everything has to be done in compliance with social distancing measures.

 

Since the introduction of digital technology into filmmaking. One of their main benefits is cost savings such as reducing the need for costly international travel. For example, “automatic dialogue switching” is one of the last steps in post production that an actor can record. Conversations remotely replace the studio where voices can be dubbed into live studio footage.

 

These virtual post-production solutions are ready to be integrated into all aspects of production. From the planning stage and the initial scenario. a process called Preview – previewing the film’s narrative universe so directors can make creative choices and plan producer logistics – has dramatically changed the film’s production cycle. Traditionally, from the moment a film is born. This means that post-production starts at the beginning of the creative cycle, not at the end. And now some movies can be shot entirely in a virtual preview environment.

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By Syed Khubaib Saifi

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